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Two thousand three hundred years ago, the two characters "China" did not name a country.

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By the account of one man from the state of Qi,

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it was one eighty-first of the world.

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This is not somebody's guess — it is written in the Records of the Grand Historian.

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The passage comes from the Records of the Grand Historian,

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in the "Biographies of Mencius and Xun Qing."

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Sima Qian is recording here a set of claims made by Zou Yan,

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a man of Qi in the Warring States period.

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The original reads like this — "The Confucians speak of a China that is one part in

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eighty-one of the world. China's name is the Red County of Shenzhou.

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Within the Red County of Shenzhou there are nine provinces,

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which is what Yu set in order; these do not count as provinces.

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Outside China there are nine places like the Red County of Shenzhou,

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and these are what are called the nine provinces."

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In today's words: the "China" the Confucians described is only one eighty-first of the world.

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This "China" has a name: the Red County of Shenzhou.

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Inside the Red County of Shenzhou there are nine provinces

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the nine Yu divided in the Book of Documents, the Yu Gong.

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But those nine do not yet count as true provinces.

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And beyond the Red County of Shenzhou there are eight more places the same size.

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Nine times nine, eighty-one parts in all — that is the whole of "the world."

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This is where the word we use today, Shenzhou, comes from.

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One thing to make clear. The nine provinces Zou Yan described are not the same set

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as the Yu Gong nine. This film uses the Yu Gong set throughout

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Ji, Yan, Qing, Xu, Yang, Jing, Yu, Liang, Yong.

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The reason is simple: the passage above says "what Yu set in order,"

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and only the Yu Gong names are the ones that match Yu.

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That is a textual decision, not a doctrinal one, and it is the only set used

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anywhere in this film.Notice the framing.

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Sima Qian is not asserting this himself; he is recording what Zou Yan asserted.

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That is the only reason the number survives at all

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a historian in a later age wrote one man's claim about scale into the record,

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and the claim outlived the man who made it.

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The "one eighty-first" is not a measurement anyone could check in his lifetime;

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it is a sentence someone else chose to preserve, and preservation is what turned a private

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speculation into a shared fact.

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Zou Yan was a man of Qi.

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His birth and death are not recorded in the histories;

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the more common account places him roughly between 324 and 250 BC.

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He held the doctrine of the Five Powers in succession,

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using the rotation of metal, wood, water, fire, and earth to explain why dynasties replace one

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another. The mechanism is plain to state: each element carries a virtue,

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and when one virtue is spent the next element in the cycle supplies the one after

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it, so a dynasty that has lost its virtue is,

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by that logic, already finished and the next ruler's authority comes from the element that follows.

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He also proposed the Great Nine Provinces.

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The people of Qi gave him a nickname — Tan Tian Yan,

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"Zou Yan who talks about heaven."

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The nickname is recorded in the Records of the Grand Historian.

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The people of Qi sang it like this: Tan Tian Yan,

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Diao Long Shi, Zhi Gu Guo Kun.

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Three men, three traits. Zou Yan could talk about heaven;

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Zou Shi could carve dragons; Chunyu Kun spoke as smoothly as oil on an axle.

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The verdict is half admiration — for a man willing to redraw the whole world

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and half mockery, for talking about things too far away to check.

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Both halves are in the same six characters.

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The people of Qi were not sure whether to be proud of him or to laugh

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at him. There is one detail that is easy to pass over.

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Zou Yan was a man of Qi.

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Qi is on today's Shandong peninsula, with sea on three sides.

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In Warring States Qi, seafaring was nothing new — people of that time had crossed from the

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peninsula to the Korean peninsula. Someone who sees the sea every day will naturally ask one

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question: what is on the other side?

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The idea that there are nine more places the size of China did not necessarily come

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from anything he saw at sea.

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But the place it was born is right on the coast.

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That is our reading, not something the histories record.

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It does, though, explain one thing: why this doctrine came out of the eastern seaboard and

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not the Central Plains. The sea is the only edge of the world you can stand

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at and see. Every land border has a neighbour beyond the hill;

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the ocean has only a horizon, and a horizon is a question with no answer in

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view — which is exactly the question this doctrine was built to answer.

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A word that survived from the Warring States to today has changed purpose several times in

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two thousand three hundred years. The earliest use kept four characters joined:

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the Red County of Shenzhou. Later, people began to take it apart

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saying either "Red County" or "Shenzhou."

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That is not our inference; that is how the later literature actually uses it.

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The best-known use of "Red County" is a poem Mao Zedong wrote in 1950,

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"Huanxisha: Reply to Mr. Liu Yazi": "Long is the night,

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no dawn on Red County's sky; a hundred years of monsters dancing."

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The use of "Shenzhou" comes from a poem the same author wrote in 1958,

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"Seven-Character Regulated Verse, Two Poems: Sending Off the God of Plague."

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Note that the full title is "Two Poems," not simply "Regulated Verse"

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it is a set of two.

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The second contains this line: "Willow branches by the thousand in the spring wind;

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six hundred million of Shenzhou, all like Shun and Yao."

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That year, Yujiang County in Jiangxi eliminated schistosomiasis; the People's Daily reported it on 30 June 1958,

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and Mao Zedong wrote the two poems the next day.

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Put the two examples side by side and something interesting shows.

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The same person, writing on the same word, chose "Red County" once and "Shenzhou" once.

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By the mid-twentieth century, then, "Red County" and "Shenzhou" were two interchangeable terms

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both ancient names for this land.

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Eight years separate the two poems.

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Nothing else does. What changed between them is not the word but its register.

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A name fixed inside a geography treatise stays a proposition you can argue with;

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the same name echoing through poems, and then pinned to a spacecraft,

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becomes something a person feels before they parse it.

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Repetition in verse does this — it wears a word smooth until it reads as if it

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had always belonged to the speaker.

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A spacecraft borrows that settled warmth: it takes an ancient name not because the name describes

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the machine, but because the name already carries the feeling of reaching upward.

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But Shenzhou moved one layer further after that.

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It went from a name in a geography text to a word carrying feeling:

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used in poems, used in names.

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The spacecraft that goes up today is called Shenzhou — 「神舟

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the same sound. It is no longer a geographical proposition.

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It has gradually become a kind of self-designation.

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That is a very long journey for two characters.

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A claim about scale, written down by one man in the state of Qi,

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ends up as a name people use for themselves.

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Back to Zou Yan. Once this doctrine of the Great Nine Provinces was out,

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what happened? The Records of the Grand Historian gives two lines

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one a verdict, one an outcome.

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The verdict is four characters: "his words are vast and irregular"

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he said things of enormous scale, contrary to ordinary sense.

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The outcome is this: "when princes and great men first met his doctrine,

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they were shaken and turned toward it; afterwards it could not be put into practice."

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The feudal lords and nobles, hearing his teaching for the first time,

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were stunned by it and even wanted to follow it.

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In the end, no one actually carried it out.

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Why would a doctrine that magnifies the world eighty-one times fail to spread?

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Because it was useless. To a ruler of that time,

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where the boundary of the world lay made no difference to how he collected tax that

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day, raised troops, or fought his neighbours.

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The map Zou Yan drew was too large — so large that it had nothing to do

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with the age he lived in.

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He could not even prove it.

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There was no way, then, to test a claim like "one eighty-first."

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A doctrine that cannot change what a ruler does on any given day is a doctrine

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a ruler has no reason to fund.

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So the nickname "talking about heaven" slowly shifted from admiration into a way of saying "unbounded."

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In later ages the Great Nine Provinces doctrine was filed under the "strange and far-fetched,"

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alongside yin-yang portents. A ruler's attention is a budget.

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Every teaching he funds is one he is not funding something else

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a canal, a wall, a campaign closer to hand.

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A doctrine about the shape of the whole world asks for the same attention as a

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teaching about this year's harvest, yet gives nothing a harvest gives.

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That is the quiet meaning of "could not be put into practice":

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the doctrine was not forbidden, only never given a reason to be paid for.

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But the story turns here. In the nineteenth century, world maps reached China.

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People suddenly found that beyond China there really were other civilizations,

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other landmasses, other oceans. "What lies beyond China?"

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the question Zou Yan asked was right.

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He only got the answer wrong.

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He answered nine places the size of China; the real answer is seven continents and four

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oceans. But in his own time, the number of people who could even ask the question

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was already very small.

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Today Shenzhou is still one of the names for China.

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Several others stand alongside it: Red County, the Nine Provinces,

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Huaxia, Zhonghua. Each has its own origin.

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The one this film is about is the most unusual of them

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because when Shenzhou was born, it was not a self-designation.

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It was a unit of measurement.

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It answers "how large are we," not "who are we."

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And those Nine Provinces of the Yu Gong — Ji, Yan,

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Qing, Xu, Yang, Jing, Yu, Liang, Yong — are not abstract ideas.

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They correspond to specific ground. Ji is roughly today's Hebei;

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Yan is western Shandong; Qing is eastern Shandong; Xu is northern Jiangsu;

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Yang is the lower Yangtze; Jing is the two lakes region;

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Yu is the Central Plains; Liang is Sichuan; Yong is the Shaanxi and Gansu area.

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Two thousand years on, some of these names became the name of a province,

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some the name of a city, and some the place where the food we eat every

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day is grown. This is what the series sets out to do.

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Shenzhou: China's Living Heritage is not a travel film, and not a history film.

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What it sets out to do is put the two characters Shenzhou back onto specific ground

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walking it stop by stop, looking at where each place's name came from,

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what it produces, what business it does, who it has produced,

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and what it has left behind.

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These names did not survive because anyone preserved them on purpose.

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They survived because administration keeps its own memory: a province takes the name of the region

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it governs, a city keeps the name of the capital it replaced.

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The ground holds the word long after the word's first meaning is gone.

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We start from Beijing, then follow the canal to Yangzhou,

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to Quanzhou, to Guangzhou. The people who sailed out from Guangzhou built watchtowers in Kaiping,

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earthen buildings in Fujian, and in Shanxi drew up China's first draft note;

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in Huizhou they raised memorial arches.

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Further on are the gardens of Suzhou, the West Lake in Hangzhou,

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the porcelain of Jingdezhen; the cave temples at Yungang, Longmen,

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and Dunhuang; Mount Tai and Qufu.

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Each of those places is one entry in the nine provinces.

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Each of them can be walked.

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That is the whole method: no summary, no overview — just one piece of ground at a

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time, until the word is standing on solid earth again.

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Follow this line to its end and it comes back to Beijing

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because the place we set out from and the place we return to are the same

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city.

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Last, back to Zou Yan. He travelled widely in his life,

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but he stayed longest in one state — Yan.

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King Zhao of Yan built him a palace called the Jieshi Palace,

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and took him as his teacher.

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The Records of the Grand Historian puts it this way:

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"King Zhao swept the road before him, and asked to take a seat among the disciples

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and receive instruction" — the king holding a broom to clear the way for him,

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asking to sit in a pupil's place and hear him teach.

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A ruler, treating a scholar in that posture.

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Where was Yan? Its capital was called Ji — and that is where Beijing stands today.

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Next time, we begin from here.

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Everything mentioned in this film is still where it was.

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A word, a river, a city — what kept them alive this long is nothing else:

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in every generation, someone remembered. The word is still in the dictionary.

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The river still runs. The city still has people in it,

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going to work and coming home.

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None of that is a monument.

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All of it is what the word was pointing at.

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The full transcript, the bibliography, and further reading for this film are at sylogs.com.

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Subscribe to this channel — and we will see you at the next stop.

